David has some great points about muscle memory and how resetting your camera after you used it will make you a faster photographer. Robert wonders how he should manage and rename the photo files on his hard drive. Brad wants to know how old the light on the top of the frame is compared to the light on the bottom of the frame and Charles has read about a strange beast called the “Technical Camera” and Chris sheds some light on what it is, who uses it and how it works.
The Film Photography Handbook hardcover is out now!
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Here are the discount codes:
Coupon: EBOOKFILM: get the ebook for $20
Coupon: PRINTFILM: get the hardcover book for $25
Coupon: BUNDLEFILM: get both together for $35
Frank is interested in color spaces and wonders which one to choose in the camera, Hampus calls in from the Himalayan trek and needs some hints regarding what to see in Ireland (hint: Donegal) and Iceland. Ben finds weird artefacts on his flash photos and wonders if it has to do with shutter speed and Terry relays her experience taking wonderful photos of her grandkids because she knew her camera in and out.
Rusty says hi to the “Top Floor Cyberspace Slackers” and asks why we should post process. Chris has some ideas about this. Volker does a road trip in California and wonders if it’s the right decision to leave half his gear back home in Germany. Chris has learned to travel light, so you can guess the answer on that one. Joe wants some guidance on how to buy a box camera and Chris elaborates on the differences between 120 and 620 film, the different kinds of box cameras, where to get them and what to look out for. And last but not least, Kade suggests to use solar chargers when on a trek. Chris has done some research into that area.
+++BREAKING+++ The 2017 Svalbard/Spitzbergen tour is now a full charter! More information
On this episode: Wilson asks about the 2-3 most essential Lightroom functions, Kade is a binge listener and and makes us better photographers with a toy camera, Casey wonders about printing without intermediate files and Brian tries to find a way to compare the pictures from his camera with the RAW versions.